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USER MANUAL
DSP CONTROLLED
STUDIO MONITOR
Welcome to ROKIT G4. We wanted to give you some history. In 2016, after working for 2 years with
more than 300 professionals, KRK launched the V Series 4 monitors. They have become very
popular with pro producers, engineers and power users and the reviews have been stellar. As we
developed the ROKIT G4 we started with the goal of bringing the sound and look of the V Series 4
to you, the ROKIT G4 customer. This meant, for the first time in ROKIT history, using drivers
designed with Kevlar® as we have done in our premium monitor lines for over 30 years. Like the V
Series 4, we used a powerful DSP to give you an incredible soundscape as well as deep EQ control
to help you with room acoustics. And this was just the beginning.
Below are some more tips and tricks as well as information to help you get the most out of your
listening experience.
Room placement and set up.
The KRK design team has painstakingly modeled and analyzed hundreds of monitor placement and
room acoustic situations to ensure that KRK delivers the most useful EQ tools with minimal
adjustments. Room acoustics are the biggest issue in today’s studios because we are not in the
perfectly built rooms now. Many great studios are just in a revamped house. We are giving you
control to correct some of the anomalies you get from these types of situations.
With the LOW EQ and HIGH EQ, we have given you 25 different combinations of EQ voicings to
help you correct for your studio’s acoustics to deliver more accurate monitoring. Start with LOW
EQ and HIGH EQ set to 3: FLAT, which is truly flat, no cut or boost and the VOLUME set to 0.0dB.
Set them up in your room per the information and diagrams below. Listen to some of your favorite
songs and mixes. Try different positions in your room and different placements before making EQ
adjustments and then adjust the EQ to give you your best listening and monitoring experience.
SYSTEM SETUP Overall system setup is crucial to avoid unnecessary room acoustic interaction. A
room’s natural acoustics may alter the sound level at various frequencies due to abnormal damping
or reflections. Follow the checklist below for more details.
1. 1 The system setup (studio monitors and work table) should be placed within the front
1/3 of the room. Doing so will reduce reflection buildup of peak frequencies.
2. 2 The left and right sides of the system setup should be centered an equal distance from
the left and right walls. This will produce even mid and low frequency response and
preserve stereo imaging.
3. 3 Avoid a listening position (your ears) that is closer than 3 feet (1 meter) from any wall.
Also avoid large objects (such as lamps or decorations) near the studio monitor and
listening position.
4. 4 Diffusers and absorption material in the corners and back of a room will help remove
room interaction by preventing reflections.
5. 5 Carpeting will help prevent reflections from hard floor surfaces.
6. 6 Studio monitor isolators (foam or rubber pads) will help remove low frequency
coupling between the stands and desk. Low frequency coupling will cause the stand or
desk to vibrate causing unwanted sounds.
7. 7 A low noise floor in your room (no outside interference from refrigerators or fans) is
important to prevent the masking of low frequency detail. Rattles due to studio monitor
playback should be fixed as well.
Within the system setup, the studio monitors and listening placement should be positioned in a
near field configuration as follows: The left and right studio monitors should be approximately 3 to
5 feet (1 to 1.5 meters) apart and directed at a 60 degree angle towards the listening location.
Measure the distance between the left and right studio monitors and sit in the listening position
that is equal distance to both sides. This will form an equilateral triangle. It is important that both
left and right studio monitors are level matched (same volume).
The ROKIT G4, in the 5”, 7” and 8” version, is a two-way studio monitor with a tweeter (producing
high frequencies) and a woofer (producing mid and low frequencies) in one enclosure. In between
the tweeter and woofer is the acoustic axis point where the full frequency range comes together.
The ideal location for the acoustic axis point is located at ear level in the listening position. It is
acceptable to angle the studio monitors so the acoustic axis is pointed in the correct direction.
The ROKIT G4 10-3 is a three-way studio monitor with a tweeter (producing high frequencies), a
midrange driver (producing mid frequencies) and a woofer (producing low frequencies) in one
enclosure. Whether using the 10-3 in vertical or horizonal mode, the center of the midrange driver
is the acoustic axis point where the full frequency range comes together. The ideal location for the
acoustic axis point is located at ear level in the listening position. It is acceptable to angle the studio
monitors so the acoustic axis is pointed in the correct direction.
Now that we have giving you a great starting place, feel free to break the rules and try what works
for you. For instance, the ROKIT G4 like its big brother, the V Series 4, has a very wide sweet spot so
instead of directing them at a 60 degree angle to the listening position, try them at a 70 or 80
degree angle and then try sitting closer to them or further away but always have the acoustic axis
point directed at your ears. Listen to the sound scape and again, choose what sounds great to you.
Tips and tricks and features
Grilles
You may decide to purchase the user installable grilles for your monitors. They are only available
for the 5”, 7” and 8” versions. While most producers/mixer prefer a monitor to have exposed
drivers, there are some instances where having a grille is important or useful.
They are to use in high traffic situations for the protection of your monitor’s drivers. For instance,
in mobile recording trucks or studios with a lot of foot traffic. You can use them in your home
studio to protect them from little pokey fingers. Use them to protect the drivers as you travel to
different studios. Because the grille is held on magnetically, you can put them on just during
transport and then switch back to the no grille baffle when you arrive.
The front baffle is attached magnetically. To install the grille, simply reach into the port near the
left or right side and pull the faceplate forward and off, then snap on the faceplate w/grille.
If you do decide to use the grilles, you can have confidence that they will not affect the sound of
the ROKIT G4. Because of the design of the grille, for all intents and purposes, there is no change in
frequency response from grille to no grille.
EVA Cushion
EVA foam cushion on the bottom of your monitors aid in keeping your monitors in place when
playing music. It adds punch and clarity because you don’t lose energy due to cabinet movement.
The foam also isolates the monitor from your desk.
VOLUME on the HOME SCREEN is the monitor’s input sensitivity
We call it volume because it is the easiest way to understand Input sensitivity. Our amplifier runs
wide open and then you adjust how “hard” you hit it with input sensitivity, also known as a pad.
For ROKIT G4 if you put the VOLUME at 0.0dB that is professionally known as +4 dBu. If you put the
VOLUME at 11.0dB that is professionally known as -10dBV.
Running at +4 is “quieter” than -10. -10 hits the amp a lot harder so it is perceived as “louder”. But,
in essence, this is incorrect. All you are doing is reducing your headroom and dynamic range. The
Produktspecifikationer
| Varumärke: | KRK |
| Kategori: | Övervaka |
| Modell: | RoKit 5 G4 |
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