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MLM 42
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MLM 42
MIC / LINE MIXER
OPERATORS MANUAL
QUICK START
Sure this seems like a simple enough box. 4 Inputs, 2 Outputs and an Effects Loop. Fine. But at least read this section to get the
best signal out of your unit and avoid potential problems. We'll be quick, promise!
Each Input section features microphone-level XLR and line-level ¼" TRS Inputs. Use only one Input for each channel. Both Inputs
are balanced.
If you are using condenser mics, flip the PHANTOM POWER switches to the ON position. For dynamic mics and line-level
devices, leave these switches OFF. Phantom Power only affects the XLR Inputs, not the ¼" TRS Inputs.
If an Input Overload indicator lights, this is your clue to turn down its GAIN trim on the rear of the unit.
e Output Overload indicator shows the sum of the 4 Input channels, but is located before the OUTPUT LEVEL control.
erefore, the OUTPUT LEVEL control cannot correct an Output Overload condition. Instead, turn down the LEVEL of one or
more of the Input channels. e Output Overload indicator should remain off.
e OUTPUT MIC/LINE switch changes the balanced XLR and TRS Outputs to either LINE-level or MIC-level. Be aware of
what sort of signal your mixer or amplifier wants to see before you scare yourself.
Never connect anything except a Rane power supply to the thing that looks like a telephone jack on the rear of the unit. is
is an AC input and requires special attention if you do not have a power supply exactly like the one originally packed with your unit.
See the full explanation of the power supply requirements elsewhere in this manual.
WEAR PARTS: is product contains no wear parts.
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MIC/LINE MIXER
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LO HIMID
OUTPUTEFFECTS
LEVELLEVELOL
WETDRY
POWER
OL
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LO HIMID LEVELOL
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LO HIMID LEVELOL
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LO HIMID LEVELOL
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MLM 42
Manual-2
FRONT PANEL DESCRIPTION
1 LO / MID / HI tone controls on each input channel are Accelerated-Slope™, delivering more control, constant phase response,
and less interaction between bands than normal tone controls. e LO/MID corner frequency is 300 Hz. e MID/HI corner
frequency is 4 kHz. Each band allows 6 dB of boost and full cut.
2 Input Overload indicators should remain off during the loudest expected program material. If you see one light up, turn down
the rear panel Input GAIN.
3 Input LEVEL controls set the volume for each channel. ese work along with the rear panel GAIN controls for maximum
signal. To achieve the smoothest mix possible, set the GAIN control on the rear panel to allow near full range operation of the mix
Level control without lighting up the Input Overload indicator.
4 EFFECTS DRY/WET control adjusts the mix between the sum of the four Inputs (DRY) and the Effects Return jack (WET).
When used with an external effects processor, the DRY/WET pan control adjusts how much processed, versus unprocessed, signal
appears in the final output mix. See the EFFECTS LOOP section on page Manual-4 for more uses.
5 Overload indicator is located before the Output Level control. erefore, the Output Level control cannot be used to correct an
Output Overload condition. An Output Overload condition is corrected by turning down one or more of the Input LEVELs. is
indicator should remain off.
6 OUTPUT LEVEL control determines the level going to all four Outputs.
7 POWER indicator. When the yellow LED is lit, the MLM 42 is ready to go.
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MIC/LINE MIXER
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OUTPUTEFFECTS
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WETDRY
POWEROLLO HIMID LEVELOL
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LO HIMID LEVELOL
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MLM 42
Produktspecifikationer
| Varumärke: | Rane |
| Kategori: | ej kategoriserat |
| Modell: | MLM 42 |
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