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Synthesizer
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as well as separate outputs. Sliding on
the filters’ pads with your fingers you
can create arich stereo image where
each channel may have not only indivi-
dual volume properties but also timbral
ones. The outputs of the filters are mi-
xed together and connected to the main
output. Also in the triangle, you have
astereo direct input (DIR) that lets you
bypass the filters.
2. The modulated stereo delay. The in-
put of the delay is the two pads on the
top of the triangle (DLY blue). The out-
put of the delay is mixed with filter out-
put and connected to the main output.
Also, you have delay output connected
to the pads placed on the left and right
sides from the top of the triangle (DLY
orange) that lets you create feedback
and other interesting effects. The delay
has two separate lines (left and right)
with individual TIME controls (ВРЕМЯ
pots), common FEEDBACK and the
common pot that defines the amount
of self-modulation (BIZZARE). The
ВРЕМЯ pots are also touch inputs for
delay time modulation.
3. On the right side of ENNER, there is
afive-voice synthesizer with individual
adjustment of frequency for each voice
(TUNE knobs) with the possibility to
change the pitch of all voices simulta-
neously (PITCH knob). TUNE knobs are
also the outputs of the voices, so by
touching them you can patch the voices
to the filter’s inputs. The synthesizer
has separate output pads for each voice
(pads OUT 1–5), individual modulation
inputs (MOD 1–5) and ring modulation
outputs (the RING 12, 23, 34 numbers
indicate which voices are sources for
the ring modulation). Connecting MOD
and OUT pads of one voice with your
fingers will pitch it up. The fifth voice
has an additional modulation pad MOD
5 — which can shift the pitch of the fifth
voice down (connect it to +12 pad or
any pad that has some positive signal
including the output of the fifth voice).
4. On the left side of ENNER, there is
the second synth that has one master
generator, the output of which is di-
vided six times by two with individual
outputs for each stage of division (PUL-
SE 1–6). This synth is aimed at creating
rhythmical clicks, basses and octave
tones. The frequency of the master ge-
nerator is defined by the TEMPO knob.
The output pads &1,2,3 are logical mul-
tiplications of different PULSE outputs
giving additional and more complex
rhythm combinations.
5. ENNER is also an electro- acoustic
noise instrument. It has apiezo pickup
attached to the front panel that captu-
res sound from the casing itself. There
is metallic spring and you can attach
rubber bands to the panel to crea-
te various acoustic sounds. The piezo
mic can capture clicks and scratches
you make with your fingers, and it also
allows you to create filtered feedback.
Not only that, it can even capture
your voice singing over the panel! To
get sound from the piezo you have to
connect the PIEZO OUT pad with some
filters or delay inputs. Applying filters
and delay on the piezo out while the
panel works as amic, catching the au-
dio signal from the speakers connected
to the ENNER output lets you create
very cool acoustic feedback- based ef-
fects. PIEZO GAIN adjusts the piezo
sensitivity.
6. The bottom of the triangle (NOISE
pad) is the output of static pink noise.
ENNER is avery expressive sound tool
that can generate bits, pads, FX, noi-
ses, clicks, glitches, but also function as
acool vocal mic with built-in analog FX
and much more! Amusician with arich
imagination and who’s experienced in
playing ENNER can perform an entire
exciting gig using just this synth.
As an instrument, ENNER is aunique
analog synthesizer with the key prin-
ciple being that all signals that make
sound pass through and are managed
by your body. Your hands become the
central part of the circuitry. Touching
different contact pads with different
parts of your fingers and palms with
different amounts of pressure, letting
signals pass through your body defines
the mixing, volume, timbre, feedback
and other parameters of synthesis. Hu-
man skin has much more complex elec-
tric properties than we think. Our skin
provides not just resistance but also
some capacitive properties and even
nonlinear dependence of conductivity
from current, its direction and time du-
ring which the current was applied. All
of this affects the sound, making you
the key part of the synthesis process.
All pots of ENNER are metallic and also
function as inputs or outputs. Touching
apot can change not only the parame-
ters but also patch the audio signals.
ENNER consist of:
1. The array of filters with fixed frequency
properties (the triangle in the center):
the stereo high pass filter (HPF), the ste-
reo bandpass filter (high mid
—
BPFH),
the stereo bandpass filter (low mid
—
BPFL), the stereo lowpass filter (LPF).
Stereo means that the filters have se-
parate inputs for left and right channels
USER
MANUAL
Produktspecifikationer
| Varumärke: | Soma |
| Kategori: | Synthesizer |
| Modell: | Enner |
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