WMD Kraken Bruksanvisning

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SHELL: Smoothly interpolate be-

tween 32 different shell models.

Each shell model determines the

harmonics of the sound, with in-

teraction from OVERTONE and

SNARES.

DECAY: Controls the decay param-

ter of the internal envelope. The

envelope will remain open as long

as one of the triggger inputs, HEAD

or RIM, is gate HIGH.

VELOCITY: Add life to your drum

hits with this control. Low veloc-

ity results in softer hits with less

noise and less overtones, while

high velocities punch harder and

ring out longer. Velocity is xed

around 80% max when no cable is

plugged into the CV jack.

SNARES: Control the damping lev-

el of the noisy shell harmonics. In-

creasing this control will decrease

damping, making the drum hit

more noisy and making the noise

tail longer.

KRAKEN

We’re in an octopus’ garden.

ACCENT: When this jack is gate HIGH,

all hits will be slightly increased in de-

cay, amplitude, and velocity.

WRECK: This switch and cv input

allow you to distort the sound in

various ways. When no cable is

plugged into the WRECK cv jack a

xed amount of distortion will be

applied. The rst, fully left, posi-

tion is volume with hard clipping.

When no cable is plugged into the

WRECK jack, this is effectively a

clean setting. The middle setting

enables a wavefolder, and the far

right setting enables a distortion

based on quantization error.

MODEL: Select from three models.

Repeatable digital noise that pro-

duces the same sound on every

trigger. Analog noise, that gives a

slightly different sound with each

hit. And nally, a pitch shifting

mode controlled by PITCH that al-

lows you to take your sound into

another dimension.

LOW TUNE: Set the fundamental

frequency of the snare drum. Cor-

responding CV is labeled LO TUNE.

PITCH: Apply an offset to some of

the shell’s harmonics allowing for

ner control of the OVERTONE and

SNARES timbre.

OVERTONE: Control the damping

level of the clean shell harmon-

ics. Increasing this control will de-

crease damping, making the drum

hit more resonant as the harmon-

ics ring louder and longer.

HEAD / RIM: The HEAD and RIM inputs

trigger their own respective exciter that

enters the model at different points.

HEAD mimics striking a snare drum in

the center, and RIM mimics striking the

rim for a sidestick sound. Striking them

at the same time enables a third exciter

and produces a rim shot sound.

Produktspecifikationer